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What I like about "Man of Milan" is that it looks like a painting created with oil paint and palette knife. Of course, it is not an oil painting but a painting by camera (as I call it). I took this image on a canal in Milan.
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My initial synesthetic
response to this image is one of texture, but I also hear the sound of
chimes. It depends on where I focus my eyes. For example, if I focus my
eyes on the filament-like edges of the shapes in the top row, I
instantly feel texture against my skin. But if I shift my attention to
their color and arrangement, the texture disappears and the sound of
chimes both surfaces and dominates, as if texture and sound traded
places in the layers of my consciousness. It works like this:
First, I hear the fifth shape (yellow) in the top row. Next, I hear the yellow shape to its right which is slightly diminished. Then, the sound travels right to left, as the four white shapes -- along with the other less defined shapes beneath the row -- pick up and repeat the original yellow sound in a sequence typical of what I hear when a rectangular metal chime is hit with a hammer.
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It looks to me like Nature took one of its widest brushes, dipped it in a bucket of light and swoosh, painted this image on the velvet of the Arno River in Florence. It also looks to me like texture or thread.
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Marcia Smilack. All rights reserved.
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Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
To inquire about this photograph, please click here.
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Marcia Smilack. All rights reserved.
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